I found it astonishing when talking to two of my classes today about poetry. Students had never heard of Langston
Hughes or Gwendolyn Brooks. Is poetry escaping our youth? Considering how significant both of these poets are to literature,
African-
American culture and Illinois. I thought it would be helpful to include some information on both of these profound poets.
Langston Hughes
James Langston Hughes was born February 1, 1902, in Joplin, Missouri.
His parents divorced when he was a small child, and his father moved to Mexico. He was raised by his grandmother until he was thirteen, when he moved to Lincoln, Illinois, to live with his mother and her husband, before the family eventually settled in Cleveland, Ohio. It was in Lincoln, Illinois, that Hughes began writing poetry.
Following graduation, he spent a year in Mexico and a year at Columbia University. During these years, he held odd jobs as an assistant cook, launderer, and a busboy, and travelled to Africa and Europe working as a seaman.
In November 1924, he moved to Washington, D.C.
Hughes's first book of poetry, The Weary Blues, was published by Alfred A. Knopf in 1926. He finished his college education at Lincoln University in Pennsylvania three years later. In 1930 his first novel, Not Without Laughter, won the Harmon gold medal for literature.
Hughes, who claimed
Paul Lawrence Dunbar,
Carl Sandburg, and
Walt Whitman as his primary influences, is particularly known for his insightful, colorful portrayals of black life in America from the twenties through the sixties. He wrote novels, short stories and plays, as well as poetry, and is also known for his engagement with the world of jazz and the influence it had on his writing, as in "Montage of a Dream Deferred." His life and work were enormously important in shaping the artistic contributions of the Harlem Renaissance of the 1920s. Unlike other notable black poets of the period—Claude McKay, Jean
Toomer, and
Countee Cullen—Hughes refused to differentiate between his personal experience and the common experience of black America. He wanted to tell the stories of his people in ways that reflected their actual culture, including both their suffering and their love of music, laughter, and language itself.
Langston Hughes died of complications from prostate cancer in May 22, 1967, in New York. In his memory, his residence at 20 East 127
th Street in Harlem, New York City, has been given landmark status by the New York City Preservation Commission, and East 127
th Street has been renamed "Langston Hughes Place."
In addition to leaving us a large body of poetic work, Hughes wrote eleven plays and countless works of prose, including the well-known “Simple” books: Simple Speaks His Mind, Simple Stakes a Claim,Simple Takes a Wife, and
Simple's Uncle Sam. He edited the anthologies The Poetry of the Negro and The Book of Negro Folklore, wrote an acclaimed autobiography (The Big Sea) and co-wrote the play Mule Bone with Zora Neale
Hurston.
Gwendolyn Brooks
Gwendolyn Brooks was born in Topeka, Kansas, in 1917 and raised in Chicago.
She is the author of more than twenty books of poetry, including Children Coming Home (The David Co., 1991); Blacks (1987); To Disembark (1981); The Near-Johannesburg Boy and Other Poems (1986); Riot (1969); In the Mecca (1968); The Bean Eaters (1960); Annie Allen (1949), for which she received the Pulitzer Prize; and A Street in Bronzeville (1945).
She also wrote numerous other books including a novel, Maud Martha (1953), and Report from Part One: An Autobiography (1972), and edited Jump Bad: A New Chicago Anthology (1971).
In 1968 she was named Poet Laureate for the state of Illinois, and from 1985-86 she was Consultant in Poetry to the Library of Congress. She also received an American Academy of Arts and Letters award, the Frost Medal, a National Endowment for the Arts award, the Shelley Memorial Award, and fellowships from The Academy of American Poets and the Guggenheim Foundation.
She lived in Chicago until her death on December 3, 2000.